At A pornshoot

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Rakko

Japan has its own erotic comic history and genre. Probably even more frowned upon then in the west.

In Japan they have (mandatory) schoolclubs. Which have advisors. Here the members of the photography club are not really into it. Which leaves the advisor in a pinch for the next weeks exhibition.

Btw, she also has the sight of a bat.

Comics are read from right to left

So they come up with the idea to make a swimsuit shoot. With the advisor as a model, they at least have done something.

Only they dont expect what follows.

Hip (Hop) Nymphs - Vaughn Bodé

Vaugn Bodé - Only the good die young?

 Many years after his tragic death Vaugn Bodé still had a big influence on the hip-hop and graffiti scene that emerged in the eighties, giving him a hero's cult status. His colorful nymphs can still be admired on walls and trains.
His son, Mark Bodé, also a comic artist, occasionally does the artwork on some of his father's unfinished scripts.

Marc Emery - Monday, October 3 2005  from Canabis Culture.com:

When I was thirteen years old, I started my first successful business venture? selling vintage Marvel comics out of my bedroom at home. My first catalog listing all the comics I sold came out on January 1st, 1971. Over the next four years, I had a most wonderful time going to comic book and science fiction conventions in that golden era.
I met the best comic book artists of the day in those innocent times: Jim Steranko, Jeff Jones, Neal Adams, Bernie Wrightson, and Jack Kirby. At the science-fiction conventions I met Harlan Ellison, Isaac Asimov, David Gerrold ? even R.A. Lafferty passed out in our suite one fine evening at the World Science Fiction convention in Washington, D.C. Sept. 2, 1974.

At the World Science Fiction Conventions of 1973 and 1974, in Toronto and Washington D.C., respectively, I was mesmerized by a slide show presented by a wizard of a man whose smile and joie de vivre lit up the crowded rooms.

He was Vaughn Bode, whose enigmatic cartoon character Cheech Wizard was at the back of every issue of National Lampoon magazine, the greatest counterculture satire magazine of its time from 1970?1975. P.J. O'Rourke, Harold Ramis, Jeff Jones, and Sherri Flenniken established themselves in that magazine.

Ok, So this guy really loves his Frank Thorne HC Red Sonja Art Edition

Frank Thorne, Monument in (Erotic) Comic History

After graduation, he drew the 'Perry Mason' newspaper strip for King Features, which was followed by more comic book work for Dell.

He turned out a multitude of stories for 'Flash Gordon', 'Jungle Jim', The Green Hornet', and many more.

Thorne's breakthrough came in 1975, when he was asked to draw 'Red Sonja' for Marvel.

He left 'Sonja' in 1978 to create his own woman warrior 'Ghita of Alizzar'.

Since then there has been no stopping to Thorne's vein of erotic fantasy, creating 'Lann' for Heavy Metal and 'Moonshine McJuggs' for Playboy during the 1980s and 'The Iron Devil' and 'The Devil'sAngel' during the 1990s.

In The Gutter: Frank Thorne Interview by Nick Blodgett

Frank Thorne is the artist behind countless comics, and the writer of some of the best illustrated erotica ever to see print. Frank Thorne’s career rocketed into orbit after his epic run on the original “Red Sonja” series of the 1970s, after which he created some of the world of comicdom’s most memorable women including: “Ghita of Alizarr” (for the Warren publication 1984) , “Lann” (Heavy Metal Magazine) , Moonshine “McJugs” (Playboy), and “Danger Rangerette” (National Lampoon/High-Times). Most recently he has returned to Playboy where you can catch his gag cartoons, run in almost every new issue of the magazine.

It never gets old:

Following item written by Nick Blodgett, Monday, February 11, 2008 [The Los Angeles Loyolan]

 

Believe it or not, boys and girls, but the comic book industry has long been a battleground for freedom of speech ; starting in the 1950s with congressional hearings aimed at determining their supposed impact on rising juvenile delinquency. The publisher most heavily targeted during these witch hunts was E.C. Comics. Ultimately, the hearings resulted in the "comics' code" which basically sucked all creativity and intelligence out of the medium. Throughout comics' history there have been those who opposed the code ? mainly the underground era of the sixties and seventies, the magazine craze of the eighties and the birth of independent and alternative comics in the nineties leading up to the present. The comics' code has now been abolished, and E.C. Comics can be read in their full, uncensored glory. I could dedicate months of columns to the extraordinary books E.C. put out, as they've contributed more to our popular culture than one can possibly share in this small space. Some of their conributions include "The Crypt Keeper" and the television show, "Tales From The Crypt," originally an E.C. comic. George Lucas has cited them as a major inspiration in his work, and they served as a launching pad for such great artists as Wally Wood and Frank Frazzetta.

As much as I love E.C. and recommend you seek out these gems, this column has, and will be, dedicated to lesser known artists and books. Which brings us to Dennis Cramer and his unique sadomasochistic epic "Mara: The Celtic Shamaness," and his own struggles regarding that wonderful First Amendment. The first thing you'll notice when reading Mara is the incredibly bizarre world she inhabits, which blends both elements of dystopian science fiction and heroic fantasy. The bulk of her adventures take place in two locations; In-City and the Wilderlands. In-City is your typical futuristic totalitarian world, everything is controlled by the government - you aren't even allowed to go barefoot, which upsets Mara to no end. This is as good a time as any to mention that, although Mara is not entirely a foot fetish book, Cramer definitely likes his feet - cute, girlish feet - and isn't afraid to express his love for them.

The Wilderlands exists as a place not yet touched by society where people have taken a fancy for primitive delights. Mara is torn in her struggle between these drastically different worlds; she has grown up in In-City but longs for the freedom of the Wilderlands.
Mara is by no means a simple series. In fact there is a glossary of terms at the beginning of each book to help you out. Cramer challenges readers to grow as his characters do. It may seem overly complicated, but Cramer has stated many times that he continues to make sacrifices to write and draw Mara for those who love her, and that is what one must do to enjoy her journey. Even though she is a character, Mara is portrayed as complex as a living breathing human being, with thoughts, desires, hopes and dreams.

Dennis Cramer never found a niche in the comic world and has virtually been exiled from its domain, driven out by constant criticism and opposition from peers and fans alike. This is in large part due to his being ahead of his time. While most adult books are centered around the simple plot of a buxom, naked girl running around, Mara does this, but with considerably smaller breasts and a purpose to her nudity. It also comes as no surprise that a character who lives from thrill to thrill and feeds on pain for her passion and will to fight would be hard pressed to be accepted in most markets let alone one driven by men in tights.

Cramer has overcome these setbacks, moving into the realm of illustrated prose which has overall been an enormous plus for the stories, as the reader is able to get a better sense of each character's internal motivation.

Why bother taking a chance on Mara? It's not for everyone as it includes graphic scenes of violence and sex, notably due to its inspiration from the works of another maverick, the Marquis De Sade. But for those who aren't afraid of a little darkness and can identify with Cramer and his character's feelings of wanting to be free in a world that still has a long way to go to get there, than you might be pleasantly surprised.

Comicbookdb: Mara: The Celtic Shamaness
Dennis Cramer aka Justine Mara Andersen

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